Brad Lidge’s confidence in himself sometimes falters, and he might try to compensate for this weakness by insisting on his authority over others. With the people he is emotionally committed to, the same nagging feelings of insecurity prevent him from expressing his generosity and love fully; his extreme independence sometimes hides an inability to abandon himself and a lack of assurance.

Brad Lidge has a paternal complex and, as a result, some trouble finding his identity. Perhaps his father or a father figure was absent physically or emotionally during his childhood, which deprived him of the patterns or models which are usually helpful in structuring a personality. Because he might have lacked a particular sense of security which could be provided by a paternal presence, as well as the examples of behavior to follow in confronting the difficulties inherent in every life, he was forced to protect himself against negative influences and find his own system in order to grow and feel secure. Although this system was quite useful to him as a child, it has now settled in to such a degree that it interferes with his evolution. Psychological defense mechanisms and crutches which were once useful now encumber his mind or inhibit his developmental efforts. As a result, in certain situations, it is difficult for him to assert himself, and he tends to remain an awkward or passive observer. Because his authoritarian urges are mainly directed at himself rather than others, he sometimes feels guilty about his behavior. He judges himself severely, and sometimes punishes himself by setting difficult tasks for himself. Gradually, he should build up a strong inner discipline and acquire the strength to face the problems of existence in a detached and mature way.

Brad Lidge values freedom and independence. He expends a great deal of energy to ensure that his private life expresses those values. To avoid being tied down, Brad is skittish when it comes to any profound involvement in a relationship. As a consequence, Brad might intellectualize his emotions and feelings and feel as though he can live more easily on friendship than on love. Extremely socially-minded but idealistic, Brad almost certainly feels an affinity with the ideals of some social reform movement. Brad’s imagination looks to the future.

Brad Lidge is extremely sensitive and perceptive. He luxuriates in tenderness and gentleness more than passion. Because he abhor any form of violence and is disturbed by the absence of harmony, he has developed a tact and diplomacy which make his relations with others smooth and easy.

Although Brad Lidge’s demeanor is cool and distant, he is extremely sensitive. In some cases, his rather austere and rigid behavior and his refusal to yield too readily to sentimentality discourage others from being too demonstrative of their tenderness and affection. He has spells of melancholy in which he does not feel worthy of being loved and tend to forbid himself any emotional fulfillment whatsoever. An austere or somewhat traumatic childhood experience may be the source of this behavior. It is difficult for his inner self to be detached from this past life, and he sometimes has trouble reconciling the image he has of himself as an adult with the one he acquired back then. The idea he has of himself as an individual is related to the image his parents projected onto him as a child. Nevertheless, the past is history, and he is now an adult. Through self-work, he can rid himself of these phantoms. He has the ability to overcome his mistakes, as well as great endurance and will power to achieve his goals. Nevertheless, he must not repress his sensitivity in order to succeed.

Brad Lidge hides a fear of emotional commitment behind a façade of fairly engaging idealism and a nearly palpable spirit of brotherhood and friendship. The truth is, he prefers to observe life from afar rather than come down and dirty his hands in it. However, his fearful and distant attitude will not necessarily enable him to know and love himself better.

Brad Lidge is emotional and tends to react suddenly and excessively as soon as his sensitivity is touched. Although he feels that his independence, freedom, and self-sufficiency are fundamental values, he is sometimes frustrated by his need to rely on his family or friends. Moreover, he does not always grant the freedom of other people the same respect as his own. Likewise, he is sometimes angered by expressions of maternal tenderness, as if he feared that it would doom him to eternal dependency. His ambivalent behavior, full of jagged edges, may be traced back to the relationship he had with his mother or a mother figure. Although he was dependent on them, they may have rejected him. Now this attitude is extended to any situation in which his sensitivity comes into play and emotional bonds are liable to form. To ward off his feelings of dependency, he sometimes tends to become destructive. Based on denial, his reactions might be fierce, impulsive, excessive, erratic, or contradictory.

Brad Lidge tends to keep a lot of himself to himself. He’s not always the easiest person to get to know, and he’s especially careful with his emotions. He’s very passionate about sex and his relationships, and he’s usually very committed. He likes to understand the hidden side of people, their secret or unconfessed motivations. If he could find a career that involved working with troubled people, he would definitely be happy with that.

Brad Lidge is looking for the ideal love and tends to idealize his friends and lovers. A bizarre character, he may prefer to dream of his soulmate instead of making love to one; he is more in love with the idea of love than anything else. His idealism may hide a fear of truly committing himself to a relationship; he tries to intellectualize everything. In time, two options will seem clear to him: an amorous friendship based on shared ideas and intellectual exchange, or an open relationship, free of all constraints except mutual respect.

Brad Lidge’s birth chart indicates that he has an emotional function which is usually expressed carefully and reasonably. Distrustful of his emotional urges and somewhat wary of his feelings, he tries to rid himself of all partiality and try to get some perspective and distance before making an emotional commitment.

Brad Lidge is fairly independent, and finds emotional fulfillment difficult. His disillusionment with idealism has led him to shield his sensitivity by being critical or ironic. Because he fears being overwhelmed by his feelings and does not readily yield to love, he prefers friendship. His ideal partner would be original, tender, and reassuring, apt to instill cheerfulness in their relationship, and bright enough to stimulate him intellectually. If Brad Lidge married too young or too soon, he might find himself trapped in a stultifying situation.

Brad Lidge is very sincere, and he loves wholeheartedly. Loving friendships will play a major role in his destiny. He is independent-minded and will be happier in an open relationship than in a marriage, unless this is based on great mutual freedom. However, he is likely to marry too young or on an impulse. A second relationship with a person he admires for their generous and free-thinking nature will bring him greater happiness.

Brad Lidge may be characterized by strong sensual and affectionate urges which drive him to seek pleasure. His need for romantic fulfillment may compel him to marry, because he also seeks the legal and social legitimacy the institution of marriage confers on an emotional bond. Indeed, the household is liable to be prosperous and even opulent, as if this offered further evidence that he had indeed achieved success. However, privately, he might be less committed to certain obligations and duties. At worst, he might deny the commitments that his optimism and expansiveness made him rush into too soon. If this were to be the case, the outward image of the couple’s success (wealth and comfort, etc.) would only be a façade which compensated for its emotional impoverishment and failure. Sooner or later, this hypocrisy might provoke a full-blown conflict. A second possibility is that a psychic incompatibility may gradually take root, pitting his romantic nature against the prerogatives of his career.

Brad Lidge is hypersensitive and tends to relive the anxieties, apprehensions, and romantic absolutes of his first love relationships, which occurred around the ages of 13-14 years or 20-21 years. He is exquisitely sensitive, but almost completely barricaded behind a layer of aloofness. He will not settle for anything less than eternal commitment, total harmony, and absolute loyalty. He is sometimes presumed to be cold, even by those close to him. He usually hides his emotional reactions or does not even allow them to reach the level of his consciousness, in an effort to protect his sensitivity, which he sees as his weak point. He is fairly vulnerable, even in the intimacy of a stable and established relationship. Usually, he will disguise his strong feelings as a kind of possessiveness or even jealousy. Certain misfortunes may arouse a negative emotional state inside him, and he feels unworthy of the love which is lavished on him. This psychological prohibition which rules over all of his desires and affects should loosen with the passage of time; likewise, his fear of approaching the other will diminish. As a result, the second part of his romantic life will be more rewarding. In any case, if you want to experience a harmonious love relationship and gratify yourself emotionally, the defense mechanisms you have elaborated to make yourself inaccessible to others will have to be dismantled. Any profound relationship will also require that you learn how to forget yourself occasionally in the other.

Brad Lidge has an ardent and amorous character, and his relationships are enlivened by intensity and passion. A charmer perpetually engaged in a quest for the ideal love, he is often more in love with the idea of love than with a partner. As a result, his love life may be subject to some instability. He is generally attracted to original people who defy norms, standards, and classifications, and expect them to amaze and fascinate him. His greatest contradictions surface when an intimate relationship is established. Although he merges his ego entirely into the couple, he is likely to demand a total autonomy and liberty which are inimical to intimacy. If his partner charms and captivates him long enough, there is some possibility that they will form a more solid bond with him; otherwise, he is likely to yield to his need for novelty and fall under the spell of an entirely different person who exerts a new kind of charm for him.

Midlife may be a turning point for him from this point of view. His contradictory attitude may in some ways hide a compulsion to reject and deny the bonds of dependency inherent to a love relationship. His behavior enables him to remain aloof, to commit himself only halfway without consciously admitting it to himself, and to avoid feeling guilty if and when he loses interest. An insatiable appetite for novelty and exaltation sometimes keeps him from forming stable relationships. Indeed, he is tormented by the struggle between his undeniable need for affection and an equally imperious desire for personal progress and emancipation. As a result of this inner turmoil, his romantic aspirations are usually sabotaged sooner or later by his conviction that his partner has become an obstacle to his individual progress. Because he thinks of love as a restraint, he may even eventually consciously refuse any emotional approach to love interests. As an ascetic, he will try to deflect the love function from its natural target and use the energy and bliss it generates for other purposes, the process psychologists call sublimation. However, he is also likely to meet “the one” who inspires him to initiate a change in his behavior.

Brad Lidge has an emotional ideal full of subtlety and tenderness. However, he tends to be overwhelmed by his imagination and may not be selective enough when choosing a partner. His romantic and trusting nature may make him vulnerable. Although he strives to establish peaceful, uncomplicated relations, he sometimes experiences painful disappointments. His artistic delicacy and refinement provide him with a sincere love of the arts, music, and literature. He is likely to be a gifted poet.

You are a complex individual, full of contradictions. On the outside, you often seem detached and aloof, but on the inside you are very sensitive and prone to emotional outbursts. Because you sometimes feel vulnerable, you try to control your own feelings as well as those of your partners. You aspire to a deep and enduring spiritual unity, but at the same time, the idea of relinquishing yourself scares you. This anxiety may cause you to act in ways that can damage your relationship. Because you are distrustful and secretive, you often have a suspicion of others and are very uneasy about spontaneity. Within the privacy of the couple, you are likely to express your emotions only when you are under some strain. Life often consists of frequent crises and disputes, arguments and spats which can act as sexual provocation. This tendency to derive eroticism from anxiety is one of the fundamental characteristics of your emotional and sexual functioning. As a result, you are likely to be attracted to relationships that are turbulent and complicated.

Brad Lidge occasionally considers the input from his own subjective and emotional state as static which he tries to tune out to go straight to the essence of knowledge. As a result, regardless of his field of study, he tries to obtain perspective. He will elaborate a thought on the basis of fairly cold, abstract logic, supported by sober, concise, and immaculate reasoning. His choice areas of study could be mathematics, philosophy, legislation, or political science. Ideologies, theories, and any other system of reasoning could serve as “food for thought” for him.

Brad Lidge tries to shun subjectivity and be as objective as possible. His thoughts are usually structured, and his reasoning, based on objective facts or experience, usually relates to practical goals.