Saturn is the first dominant in Ja Morant’s astral chart. The following paragraph shall indicate the significance of this fact:

Ja Morant, as one of the planets historically thought to be on the outer limits of the solar system (until the “modern” planets were discovered), Saturn has always been associated with the moon, itself a peripheral heavenly body because it belongs to Earth and not to the solar system. Therefore, both Saturn and the moon are aspects of a protection principle (the moon encompasses the earth in the same way as Saturn and its rings encompasses the solar system). Like the moon, Saturn rules a security/insecurity dialectic, but where the moon’s concerns the private, intimate aspects of the individual, Saturn influences social and collective security.

Saturn can be thought of as the polar opposite of the moon (the archetype of the mother, but also of the child, and therefore related to orality). The god Saturn ate his children in order to reign and thus, represents the archetype of the mother (motherhood), the grandmother, and the sage (wisdom). The domination of Saturn thus indicates a maternal complex or, at least, an issue related either to the biological mother or to the symbolism of motherhood. This influence may result in a problem of identity and difficulties in aging which will make themselves evident in personal crises at every passage of this planet, every seven years—thus at the age of 7, at 14 or 15, and 21, 28, etc.

Depending on the psychological context in which you are developing, you may overcome or overcompensate your identity complex and gradually acquire a strongly structured personality, or, conversely, remain in a state of immaturity which would probably be detrimental to your destiny.

Ja Morant is the second dominant in your astral chart. In the following paragraph, we shall indicate the significance of this fact:

In the Greek tradition, Mars or Aries was the god of war. Traditional astrology associates him with the element fire, the color red, and the taste of bitterness. Although it also symbolizes the elder brother in the cosmic family, it is more likely to be associated with declared enemies or adversaries. Martian morphology is typically virile, angular, and athletic and corresponds to aggressive, domineering, masculine behavior. Likewise, Mars is usually associated with rage, its resultant brutality, and male destructiveness and domination.

Psychologically, Mars figures in any situation of conflict, opposition, and confrontation. Martian symbolism intervenes to separate, oppose, and decide and corresponds to duels, war, and any situation in real life which involves confronting an obstacle. Individuals who are greatly influenced by Mars are typically direct and straightforward—either unabashedly extroverted or furiously introverted. They are extremely active and extremely emotive. Their purpose in life seems to be inextricably mingled with a combat against an unacceptable situation, a challenge which they either issue or are forced to accept.

Neptune being the third dominant in Ja Morant’s astral chart indicates that he is highly creative and imaginative. He is also prone to daydreaming and can sometimes be impractical.

This planet is the quintessential symbol of individual receptivity and the fundamental reactions of the unconscious, including the collective unconscious. Opposed to Saturn, which is the principle of form, structure, and limitation, Neptune is a principle of dissolution. It concerns any effort to encompass the greatest variety of factors, any tendency to surround and blend all the narrow, individual points of view into a single, universal sea.

Psychologically, the Neptunian effect is expressed as an exceptional psychic flexibility and extreme pliancy. Ja Morant thus displays considerable receptivity and availability. Ja Morant feels a need for unity, a need to be related. Ja Morant is also deeply aware of the importance of dreaming, and, negatively, may be prone to delusions.

At certain times, Ja Morant is overwhelmed by a feeling of subtle confusion related to a need for “something else.” When Ja Morant’s well-being is disturbed this way, Ja Morant either yields to a sort of passive, apathetic dissatisfaction, or loses Ja Morant in the search for an imaginary world, perhaps to escape or plunge into bliss.

Ja Morant is sometimes captivated by a need for illusion; Ja Morant would like to experience change through the intermediary of events which are vaster than consciousness and would take Ja Morant far from routine and daily banality. Nevertheless, usually these fantastic dreams only make Ja Morant all the more painfully aware of the realities of everyday life. Ja Morant’s spirit and emotions emerge confused, and Ja Morant’s will is sometimes weakened.

The seventh house is an area of the sky which is especially important in Ja Morant’s theme. In the following paragraph, we shall explain the general meaning of this fact.